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Gallery Picks of the Show A Study in Light & Land Gil Maker June 16 - July 12, 2026
Gallery
Partners have chosen our "Picks of the Show" All images copyright by the individual photographers
Flowers and People
In “Flowers and People,” Bob Crumrine captures a colorful slice of
life in Guanajuato, Mexico. The vibrant flowers lining the balcony
provide an immediate focal point, drawing the eye into a scene where
architectural, color and human activity coexist in a natural and
engaging way.
The photo succeeds because it’s more than a study of buildings. The
figure crossing the plaza and the decorations adorning the balcony
introduce a human presence that reflects the daily life and spirit
of the community. The photograph is rich with visual layers. The
pastel buildings and historic details reflect the city’s cultural
heritage, while the people bring a sense of life. The flowers serve
as a bridge between the built environment and the human spirit,
adding warmth and celebration to the scene.
As I looked carefully at the photo, I wondered who tends the flowers
that brighten the historic street and how many lives have passed
beneath these balconies over the years? The photo invites viewers to
think beyond the architecture and imagine the human stories hidden
within the scene.
Congratulations, Bob, on your Gallery Pick.
By Marie Costanza
Surface Tension
Amy’s photograph works as an abstract photograph, and its strength
comes from the fact that it initially resists easy interpretation.
The viewer gradually realizes they’re looking at reflections in
water rather than a distorted building.
The rippled water transforms ordinary architectural elements into
painterly shapes.
Vertical bands of white, green, black, and blue create a composition
that feels closer to an abstract painting than a documentary
photograph. The cool greens and blues contrast nicely with the
bright white reflections. Deep blacks provide visual weight and help
anchor the frame.
The water’s surface creates rhythmic wave patterns that carry the
eye through the image and the repeated distortions add energy
without feeling chaotic. Large white reflected structures on the
left balances the darker mass on the right. The bright blue area in
the lower-right corner acts as a secondary focal point. Amy’s image succeeds most as an abstract
study of reflection, color, and movement. Viewers are invited to
spend time deciphering what they’re seeing, and the transformation
of a mundane scene into something painterly is its greatest
achievement.
The image is visually engaging and thoughtfully seen. The
abstraction and texture are compelling.
By Don Menges
Portal
Portal
is a quietly arresting photograph that turns corrosion into
narrative. The close-up framing transforms a rusted metal surface
into an abstract stage, where texture, light, and a single circular
void command attention. The image reads like a fragment of a larger
story, inviting the viewer to linger.
The work celebrates found material as subject rather than
backdrop. By isolating a corroded rim and the flaking layers around
it, the photographer makes the material itself the feature. The
clever selection of this particular segment—cropped tightly so that
edges and textures become compositional elements—creates a dynamic
interplay of line, curve, and negative space that feels both
accidental and meticulously chosen.
Red
functions here as both pigment and signal. The warm, oxidized reds
and oranges heighten the tactile quality of the surface and draw the
eye toward the circular opening. Rather than overwhelming, the color
anchors the composition, providing emotional warmth and a sense of
urgency that contrasts with the stillness of the corroded metal.
The photographed object remains mysterious, and that mystery
is central to the piece’s power. Because the subject resists easy
identification, the viewer is compelled to invent context—industrial
relic, relic of a machine, or an imagined threshold. That
uncertainty deepens engagement and makes the image feel like a
visual riddle.
Viewers may read the work in many ways: a literal portal, a wound in
time, a memory of industry, or a metaphor for passage and
transformation. No single interpretation is privileged, and that
openness is the photograph’s strength. The title PORTAL
nudges the imagination toward passage and transition while leaving
room for personal projection.
This photograph succeeds by turning the ordinary into the enigmatic.
Through selective framing, textured detail, and a bold use of red,
it transforms rust into resonance and invites repeated looking. The
result is a small, potent image that feels both tactile and
metaphysical.
By Steve Levinson
Fireworks
Congratulations to d dargan teska, whose photo “Fireworks,” received
a Gallery Pick. In Debbie’s display of intimate dandelion photos,
she transforms a familiar subject into something almost celestial.
Delicate seeds and filaments become radiant bursts of light, echoing
the fleeting beauty of fireworks suspended in midair. Through
selective focus, soft color palettes and an eye for elegant line and
form, Debbie’s display illustrates a part of a common dandelion that
is often overlooked.
Her photo, “Fireworks,” is particularly compelling for its sense of
movement and energy. The curving seed stems sweep across the frame
like trails of light, while the glowing yellows, greens and silvery
whites create a dreamy atmosphere.
Together Debbie’s four images celebrate both the fragility and
resilience of nature, revealing the hidden beauty within a common
weed. She reminds us that wonder is often found not only in grand
landscapes, but in the smallest details waiting to be seen.
By Marie Costanza
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Image City Photography Gallery ♦ 722 University Avenue ♦ Rochester, NY 14607 ♦ 585.271.2540 In the heart of ARTWalk in the Neighborhood of the Arts |